We offer a wide range of academic lectures based on  data being collected in the field work across the world  through  the first hand experience of movement and dance. They are related to dance, performance and correspondence of arts. The methodology applied is basically Rudolf Laban  theory of movement as presented in his choreological studies and movement notation. However, the approach in our dance studies is cross-disciplinary given its human dimension and multi-modal character of the performance. The research effort is being put on  bridging art with academy in the following subject matter categories:

1. History of the world dance: unity of essence in aesthetic multiplicity.
2. Anthropology and semiotics of dance.
3. Dance aesthetics in service of the society.
4. The ontic features of chorea: the triple unity of dance, music and words
5. Correspondence of arts - a comparative approach.
6. Rudolf Laban’s theory of dance: choreology, choreutics and movement notation.
7. Understanding working of dance through neuroaesthetics.
8. Dance as the sacred art.
9. The borderlines of the aesthetics and the sacredness from Western and Eastern perspectives.

Musica Humana - a new definition of dance. Toward aesthetic unity of performing arts.

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